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OSLO

Gold Exchange, Gallery Format, Oslo Norway - Producer: Mesen

venice biennale
Poker, Venice Biennale
eggs
Breeding, Civilisation and its Discontent, The London Institute
gold hand
                                Gold for Deptford, Deptford X, winner of Macdonald Egan Award
musican
Opus 3 - Blue Coat Arts Centre, Liverpool
breeding
Breeding - Civilisation and its Discontent I, Galerie Taxispalais, Innsbruck, Austria
Gold for Deptford
 Gold for Deptford, Deptford X, winner of Macdonald Egan Award
food tower
Topping Out Act 2 - The Feast
 

 

moonshine walk
Moonshine Walk, Channel 4 Big Art, ST. Helena
DX gold
 Gold for Deptford, Deptford X, winner of Macdonald Egan Award
lady
Sunday Matinee,Tenant Spin, Liverpool
red curtain
The Immaculate Conception Project part of the Wharf Project, London, in collaboration with Colm Lally
table card

The Immaculate Conception Project, Tate Liverpool

Slide 15
The Immaculate Conception part of Wharf Project, London, in collaboration with Colm Lally

foreign investment is an international artist collective based and founded in the UK.
The group with its fluctuating membership, rare appearances and selected projects questions and challenges the established routes of commerce and transaction, by disrupting them with actions of hospitality and generosity.
Each member holds an established reputation as practising artist: sculptor, writer, and painter.
The contest of our various languages, cultures, practices and experiences becomes each time again the foundation and the reason for an event or a work as collaboration. The group has established an international reputation for elaborate and uncompromising work.
Recent works were commissioned by the Arts Council of England (2010), Mesen for Oslo Gold Exchange (2010) and events such as 5th Floor, International Festival, Tate Liverpool (2009), The Wharf Project organised by V22 (2008), Good Diversions, Bluecoat Art Centre (2006), The Venice Oratory commissioned by William Furlong for Venice Agendas IV, Neighbours in Dialogue,  51st Venice Biennale (2005), Poker part of the Oreste programme, 48th Venice Biennale (1999), Gold Exchange part of the fringe programme, 5th Istanbul Biennale (1997), the London Biennale (2000, 2002) and Trajectories, Rio de Janeiro (2001)
Spontaneity cannot be underestimated

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